Tuesday, April 28, 2015

My Life With The Grateful Dead, Part One: What's In A Name?


I grew up in a household where many musical genres wafting through the air was a common thing. My father's interest was in the music of his youth from the 50s: rock and roll, and rhythm and blues. My mother was often heard singing Tom Jones or Helen Reddy tunes. My older sisters' were into the rock music of the day: mostly bands like Boston, Bob Seger, Foreigner, and Styx. Saturday's my sisters would dance to American Bandstand, while I, even in my youth preferred Soul Train, even though my first favorite band was Kiss. My Aunt Angie was working for Peaches Records, and brought me the first few Kiss records as a gift, when she came to visit one day. This was in the mid-70s, and every kid loved Kiss as far as I knew. We were living in Toledo, Ohio back then, and midwest rock was mostly what was playing on the radio. In the winter of 1975 my father purchased us a juke box, and had it loaded with classic 45s. It ended up in my bedroom when we moved to North Carolina in the summer of 1976, and the size of it scared the hell out of me, even though I loved playing every song on it over and over again.

We moved a lot in the 70s and early 80s. From Toledo, to Greensboro, North Carolina, back to Toledo in 1978, and onto Orange County in Southern California in early 1981, finally the Bay Area in late 1982, where I've lived ever since.

Other than family, music has always been my closest companion. Music is a constant in my life. I purchase vinyl every chance I get. I remember discovering The Beatles when I turned 10. They were amazing to me, immediately. And I felt this pang of guilt for "abandoning" Kiss for another favorite band, It wasn't long after that when I started listening to Led Zeppelin. By then I understood that one could have a few favorite bands. Today I have about 30, and it's ever evolving...as it should.

My parents divorced in 1984, the summer before I turned 14. I was living with my father in Concord, California, and he and I used to travel at least once a month to Rasputin Records in Pleasant Hill, a few miles down the road. If memory serves, on an early visit in 1984 I was flipping through records, randomly, when I came across "Skeletons From The Closet", by the Grateful Dead. Wow. What a cover. What a name! GRATEFUL DEAD! I had no clue what this sounded like, but I knew that I had to have it. The imagery on the cover, was nothing compared to the images the name of the band conjured up. I thought they would sound like hard rock, or metal. Being in middle school in the East Bay, I was listening to Iron Maiden and Judas Priest at that time. My first rock concert was Ronnie James Dio in November 1984 for his "Last in Line" tour at the Oakland Coliseum Arena. Dokken opened. I liked metal, still do, so I had to own that Dead album. I had to love that band. There was no escaping it. I hadn't even listened to one note, and I knew that I was going to be hooked, even though I had no idea that they weren't anything close to Metal.

I moved to San Mateo in the summer of 1985, and quickly found other Dead Heads living around me, including a head shop: The Magic Theater, on El Camino, which I frequented weekly for stickers, patches and posters. During the summer of 1985 a Wednesday afternoon radio show on KZSU-Stanford was playing full shows from the Spring 85 East Coast tour. That blew my mind! I recorded each week. That was how I started my taping/trading obsession.

I was working at Baskin Robbins ice cream in San Mateo, where I met Bob, who was a year older than me, and a few more years a seasoned Dead Head. I spent many hours at his house listening to the Dead. He owned a few shows, and many more Dead records than I had. It was with Bob, his younger sister Beth, and a few others, that I attended my first show on December 30, 1985.


Upon entering the Oakland Coliseum Arena, where just 13 months previous I saw the heaviest Heavy Metal band of the time, I noticed that this audience looked similar, but acted so very differently. Instead of the Metal Head anticipating the head banging that was to come, there were long haired Heads passing joints, and getting ready to dance and twirl. It was a very different vibe. I remember being very naive about the songs they might perform. I thought, like so many other acts, that the Dead would always play their "hits" for their ever-loving fans. I got excited to hear Truckin' specifically, and Sugar Magnolia, not knowing that they never perform the same songs night after night.

I'm not going to give a review of the show that night, though they did a very rockin' version of Sugar Mag's, they also debuted a great version of Dylan's Mighty Quinn. The next night the 2nd set was telecast on KQED. I was at a party with my dad in Brisbane, and a lot of the adults there were heads, so the show was on TV. I was firmly planted in front of the screen, grinning from ear-to-ear, while the adults laughed that a 15 year old was as into the Dead as I was. I video taped and audio taped that show, and shared it with Bob and friends for the weeks following. I couldn't stop playing it. Seriously, I memorized every note of it. Beyond hooked. I was hungry for every tape I could find from then on out.

Living in the home of my "favorite" band was quite advantageous. I hardly missed a Bay Area show until 1993, when it was obvious to me that the band was phoning it in. Jerry was way too strung out by that time. I actually walked out during Drums at my last show in May of 1993, and never went back until I attended the memorial for Jerry at Golden Gate Park with friends, including Zion Godchaux and his mother Donna Jean, who, along with her late husband Keith, were members of the Grateful Dead from 1971-1979.

Coming up in my celebration of the 50th anniversary of my all-time favorite band: My growing tape collection; dancing through the halls of the Henry J Kaiser Auditorium; getting my buddy to put his pants back on at Shoreline; heading out on my own at the tender age of 16 to Laguna Seca in Monterey for a weekend in the sun, and being in the Touch of Grey video; seeing the Dead on the road. Also, alerting Zion that Jerry had died, and my experience at the Jerry memorial with Donna Jean.

Hell's Kitchen with John Hell
Mondays 8-10PM
Radio Valencia in SF
http://radiovalencia.fm

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Monday, April 27, 2015

Hell's Kitchen Radio #218: For Your Consideration

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Radio is an art. I don't care what any of those fascist general managers say, who wouldn't hire me back 2000, even though I already had 12 years experience AND a BA in radio broadcasting, saying that I was "over-qualified", and it's too difficult to "mold" college DJs into the sheep that they need to hawk their wares on the commercial spectrum. Whatever. I'm not bitter, even though my plan was to eventually become a GM, and change the format to be freeform, and actually give the hosts more power in programming decisions, possibly ostracizing the advertiser.  It's all good.

I actually thanked the music director from KLLC-AliceFM when she told me that the person I was filling in for was coming back from maternity leave...after a year, and they actually never telling me that I was filling in for anyone. I thanked her for opening my eyes to how absolutely lame commercial radio is. I thanked her for the opportunity to play the music to the lowest common denominator, basically making me some kind of Big Brother to the listener, who will follow my every lead, showing them the light, and teaching them what is, without a doubt, the most important and relevant music of the day. I then proceeded to tell her that in no way would I EVER spend another moment in a commercial radio station studio. I told her that radio is supposed to be an art form. That radio is about the segue. Radio is about challenging the listener. Radio is about finding music that is relevant. Radio is NOT about playing the same song over and over again. I can understand how a child enjoys hearing their favorite song replayed over and over, but similarly how our pallet opens up as we age, first loving milk chocolate, then indulging in dark chocolate, music appreciation should be the same way.

Why are we insulting our listeners? If I hear one more Eagles song, I'm going to shoot myself.

Want to check out what  REAL playlist looks like? See below. Take a listen too. There are a few "Easter Eggs" embedded within. Also, I'm starting to mark what I consider to be "BEST SET" of the show, based on song selection and segue.

Enjoy.

jh

Hell's Kitchen with John Hell
Mondays 8-10PM
Radio Valencia in SF
http://radiovalencia.fm

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Tractor: Monster Magnet
The Good, The Bad, and the Ugly: Ennio Morricone
Wave Goodbye: Ty Segall Band

Floating Head: Wand
Are you There?: Mono
Oil: Jonny Greenwood (There Will Be Blood SDTK)
Mercy Seat: Nick Cave and the Bad Seeds

***BEST SET***
Antitoxidote: Melvins
Who Stole the Soul?" Public Enemy
Am I Evil?: Metallica
The Thieving Magpie: Gioacchino Rossini

Careful with the Axe, Eugene: Pink Floyd
Sadio Witch: Electric Wizard
Riot: Dead Kennedy's
Can't Find My Way Home: Swans

S.O.L. '07: Wooden Shjips
Graveyard: Butthole Surfers

Scavenger: Zig Zags
She Shook Me Cold: David Bowie

Monday, April 20, 2015

Hell's Kitchen Radio #217: Turn It Up!

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I hate being late. I really do. I have this thing about punctuality. I'm a teacher, so that may have something to do with it. That being said, it should not have taken me six days to post this. Take a look at this set! So much for everyone. Are you sharing this with your music-loving friends? You should, they'll thank you for it. And so will I.

Remember, I'm on Radio Valencia every Monday night from 8-10PM.

Also, next Sunday, May 3, I'll be participating once again in the annual James Brown birthday celebration down at KFJC, for their Month of Mayhem. It's a month-long radio special extravaganza! The JB special is 24 hours long, and I promise you'll get your groove on. I'm on 6-10PM Sunday night. Tune in, and DANCE, DANCE DANCE!

Enjoy.

jh

Hell's Kitchen with John Hell
Mondays 8-10PM
Radio Valencia in SF
http://radiovalencia.fm

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I Heard it on the X: ZZ Top
Blazer: Zig Zags
Muleskinner's Song: Harry Belafonte

Oh Me: Nirvana
Round and Round: OP8
Romeo is Bleeding: Tom Waits (Austin City Limits - 1978)

Nowadays A Woman's Gotta Hit A Man: Captain Beefheart
Be Yourself: Hawkwind
Kick out the Jams: Afrika Bambaataa
In Heaven There Is No Beer: Polkacide

Pray Til You Sweat: The Flesh Eaters
Self Hypnosis in 3 Days: Wand
Car Wash: Rats of Unusual Size
Kill Jerry Garcia: Colorfinger

Viola Lee Blues: Grateful Dead (04/21/69 The Ark, Boston, MA)
Full Experience: Lee Perry with Aura

Destroy Those Who Love God: Electric Wizard
Tokyo Wonder Land: Boris
Feel: Ty Segall

Low Life: PIL
Love Won't Come Easy: The Heptones

Monday, April 13, 2015

Hell's Kitchen Radio #216: Grab Bag

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Sometimes it's just fun to go through my library at home and blindly pull some music. That's what tonight was all about. I did play a few requests, and the obligatory amazing Grateful Dead track to celebrate their 50th anniversary.

Full disclosure: I signed on for tickets to the Bay Area shows. Let's see how this pans out. I promised, at the beginning of the year, to write about my history listening to and seeing the Dead live. I'll get on that soon. There are some great stories in there.

This Saturday night I'll be spinning at St. Mary's Pub, 3845 Mission Street, in College Park (that's between Bernal Heights and the Excelsior Districts. You know, the neighborhood you never visit, but is totally AWESOME!!! I'll be spinning with the great Tophzilla! He and I used to DJ at the old Anon Salon parties in the 90s. Punk/Funk/Junk from 10-2AM. Come on down and have a pint.

By the way, this Saturday is RECORD STORE DAY!!!! Please make sure you head down to your local record store (yes, they do still exist), and check out all the unique offerings. I'll be over at Aquarius Records, in the Mission. There's no other place I would be.

Enjoy.

jh

Hell's Kitchen with John Hell
Mondays 8-10PM
Radio Valencia in SF
http://radiovalencia.fm

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California: Joni Mitchell
The Weight: Aretha Franklin
Doo Doo Wap is Strong in Here: Curtis Mayfield

Miles Runs the Voodoo Down: Miles Davis
Galaxy Song: Stephen Hawking
Cortez: Neil Young

The Ideal Husband: Father John Misty
New Disco: Mission of Burma
In A Trance: The Blind Shakes
Sunshine No Shoes: Spacin'

Ice: Moon Duo
Slow Funk: Buddy Rich

Alligator>Drums>Alligator>Caution: Grateful Dead (04/13/69 University of Colorado, Boulder, CO)
Sour Patch Kids: Slim Cessna's Auto Club

Volunteered Slavery: Rahsaan Roland Kirk
Let's Make It: John Lee Hooker and Canned Heat

David Bowie Wants Ideas: Bongwater

Monday, April 06, 2015

Hell's Kitchen Radio #215: Here Come The Bastards

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As much as I enjoy interviewing bands, I really enjoy bringing my musician friends into the studio to guest DJ. So it just makes sense that guitar slinger, Eric McFadden guest DJd with me Monday night, and to KICK OUT THE JAMS!!! Eric and I are serious brothers-from-another-mother. When it comes to music we could jam/talk/listen-to/scream at/jump up and down to, and generally appreciate whatever you throw our way. It's kind of ridiculous.

And two hours was not near enough time. The music is awesome, the banter is SICK. This is by far one of my most favorite shows, EVER!

Eric posted a video to his Instagram account of us rocking out. You can see it here.

I know you're going to enjoy this one. Please share with music fans everywhere.

Enjoy.

jh

Hell's Kitchen with John Hell
Mondays 8-10PM
Radio Valencia in SF
http://radiovalencia.fm

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Kick Out the Jams: MC5
Jeepster: T Rex
Psychobilly Freakout: Reverend Horton Heat

Here Come the Bastards: Primus
Lilybelle: The Geraldine Fibbers
Como Se Goza En El Barrio: Marc Ribot
Easy Money: Nick Cave and the Bad Seeds

Wanted Criminal: Delphine de St Paer
Is She Weird: Pixies
Goin' Down: Ty Segall
No Spell: Thee Oh Sees

No Head, No Backstage Pass: Funkadelic
Filipino Box Spring Hog: Tom Waits
The Dancer: PJ Harvey
Zodiac: Melvins
Deuce: Kiss

Side with the Seeds: Wilco
Retrovertigo: Mr. Bungle
Hit the Road Jack: Ray Charles
I Love You Honeybear: Father John Misty

Burning of the Midnight Lamp: Jimi Hendrix
Sunless Saturday: Fishbone
From Under Down: Eric McFadden

Into The Hollow: Queens of the Stoneage
Child Is Father of the Man: Beach Boys
Sailin' On: Bad Brains

I Want You: The Beatles