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There were so many amazing sets tonight. For the past month or so I've been designating a "Set of the Week" to sets that have the type of character that stands out against the rest of the program. Tonight, I swear there must be at least three sets that I could have given the title to. It was that kind of night. Everything just made sense. Just take a look at the playlist below, and I think you'll agree.hereReally, take a look at the Set of the Night™. It's all about T. Rex. First, there's the new LP release from Ty Segall "Ty Rex", which is all T. Rex covers Ty originally released on 7", with the addition of the track I played, for vinyl only. Hell yes! I follow that up with a John Zorn produced track from Zorn's "Great Jewish Composers" series on Marc Bolan. Finally I have to play some T. Rex. Do I play "Bang A Gong"? Fuck no! What radio station are you tuned into? Get your head out of your ass. No. I play "The Motivator" because it kicks serious ass! Now THAT is a quality set.
But later in the night I connected Black Sabbath to Primus. How did I do this? I know you're interested. Get this: The Butthole Surfers track I played, "Dum Dum", uses the exact same drum melody as "Children of the Grave" by Sabbath. I followed up the Buttholes with some Melvins, featuring Pinkus and Leary from the Buttholes, off of the 2015 Melvins "hold it in" release. But wait, it gets better! Dale Crover is the drummer from the Melvins (but you know that). He's also the guitarist/singer for Altamont! GET THE FUCK OUT OF HERE! And Altamont is a local SF band, which leads to me playing the next four local bands: Rube Waddell from Oakland; The Mummies from San Mateo (where I went to high school, thank you very much, and saw The Mummies at Pony Express Pizza in Redwood City, when I was 16-18); SF's Polkacide, which if you haven't seen them then you just plain suck, and you know it. Give it up already. Really. Give it up. Finally, South Bay's Primus. They suck, but I still love them. I was at that Berkeley Square shows that turned into "Suck on This". Party. With. Me.
What a ride. If memory serves the banter was humorous at times, and I didn't stick around long enough to make you run away screaming.
There's some very early (1965) Pink Floyd near the end, and an isolated vocal track from a young and wild (though probably not nearly as wild as he would be following the electro shock treatments he received for skipping out on Vietnam) Roky Erickson.
That's probably more than you wanted to read, but aren't you happier for doing so? No? Thanks for being a friend. Can you feel the love? Just feel the love, already.
Enjoy.
jh
Hell's Kitchen with John Hell
Mondays 8-10PM
Radio Valencia in SF
http://radiovalencia.fm
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21st Century Schizoid Man: King Crimson
Starliner: Montrose
Easy Now: Hot Tuna (request)
Into the Sun: Grand Funk Railroad
Give Me Some Skin: James Brown
***Set of the Night***
20th Century Boy: Ty Segall
Children of the Revolution: Arto Lindsey and Marc Ribot
The Motivator: T Rex
Stay Away From Downtown: Redd Kross
Steppin' Out: John Mayal's Bluesbreakers (featuring Eric Clapton)
The Thrill is Gone: BB King
Rubber Biscuit: Blues Brothers
Spazz: The Elastic Band (request)
Baby Let Me Kiss You: King Floyd
Children of the Grave: Black Sabbath
Dum Dum: Butthole Surfers
Bride of Crankenstein: The Melvins
Young Man Blues: Altamont
Boom Boom: Rube Waddell
The Frisco Freeze: The Mummies
Glorious: Polkacide
John the Fisherman: Primus
Africa: Sun Ra
Double-O Bo: Pink Floyd
You're Gonna Miss Me: 13th Floor Elevators (Isolated vocals)
13th Floor Opening: Mudhoney
Below is a great and grimy commercial from Pony Express Pizza's Hair Metal Week. I'm so happy this place existed. We need more all-ages venues for the kids, today.
